Best remembered for their pain and passion, Frida Kahlo paintings are known for their intense and vibrant colors. Mexicans celebrate them as emblematic of national and indigenous tradition while feminists praise them for their uncompromising depiction of the female experience and form.
Vibrant Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Frida was never ashamed to reflect her lifelong health problems in her works. As a matter of fact, half of the Frida Kahlo portraits are self portraits of one sort or another. She was born a bitch and a painter, according to her. The rationale for these self portraits came from Frida herself, her being alone more often than not and her knowing herself best, making herself the best model for her own paintings.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
Vibrant Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Frida was never ashamed to reflect her lifelong health problems in her works. As a matter of fact, half of the Frida Kahlo portraits are self portraits of one sort or another. She was born a bitch and a painter, according to her. The rationale for these self portraits came from Frida herself, her being alone more often than not and her knowing herself best, making herself the best model for her own paintings.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
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